“The Absurdity of War”

When Melvin James Kiminsky was entering his senior year in high school in 1944, he took the Army Specialized Training Reserve Program test, an assessment to determine intelligence and comprehension. Melvin did so well on the aptitude test that Army recruiters sent him to Virginia Military Institute to study electrical engineering.

Melvin, who had spent his whole life in New York City, was surrounded by “mountain ranges, red clay, a lot of horses, and statues of Stonewall Jackson and Robert E. Lee.” At VMI, he was taught to ride a horse, wield a saber, do close-order drill, and electrical engineering. Then, he was transferred to Fort Sill, Oklahoma to work on a field artillery team whose main weapon was a 105mm cannon.

The Army failed to provide hearing protection, so Melvin began tearing the filters off of Camel cigarettes and sticking those in his ears. He quipped, “my ears are still yellow to this day.”

In January 1945, Melvin was among hundreds of soldiers who were sent to Europe. He ended up on the front line between Sarreguemines, France, and Saarbrucken, Germany. Because he was classified as an engineer—his superiors overlooked the fact that he was an electrical engineer and not a combat engineer—they gave him a bayonet and told him to probe for mines.

Melvin thought the order was absurd, but he was instructed to insert his bayonet into the ground at a shallow angle to avoid pressing the detonator which was normally triggered by pressure from directly above.

After a while, Melvin joined a team with the 1104th combat engineers who had to erect a Bailey bridge, a portable truss bridge, over a river which led into enemy territory defended by Nazis. The Bailey bridge was so light that they could swing it out over the river, but strong enough to support the weight of a crossing tank.

Melvin was one of the first men who had to cross the bridge because he had to secure it to the other side. The ever-watchful Germans, angry that an American soldier would soon be coming onto their side of the river, shouted warnings in German over a loudspeaker. Melvin grabbed a bullhorn and responded to the German soldiers but not by yelling threats. He sang a full rendition of the popular upbeat Broadway showtune “Toot, Toot, Tootsie (Goo’ Bye!)”

When he finished singing, he lowered the bullhorn. The men in his company stared at him in complete and confused silence. For a few moments, the German soldiers were also silent. Then, a few of the enemy soldiers began clapping and cheering. Neither the American soldiers nor the German soldiers understood the absurdity that had just occurred.

Melvin understood the absurdity of the war and satirized it directly to soldiers on both sides of the conflict. For the past 80 years, Melvin Kiminsky has been entertaining the world in much the same way, with his own brand of absurd comedy. He is one of only 27 entertainers who have won an Emmy, a Grammy, an Oscar, and a Tony award for his work on films such as “The Producers,” “Blazing Saddles,” “Young Frankenstein,” “Spaceballs,” and “Robin Hood: Men in Tights.”

At 99 years old, he is currently producing and acting in “Spaceballs 2.” Kaminsky may not be a name you recognize. You see, early in his career, to eliminate his being confused with noted trumpet player Max Kaminsky, Melvin James Kaminsky began performing under the stage name Mel Brooks.